Book Chapters
Ó Nuanáin, C., Herrera, P. & Jordà, S. (2018). k-Best Unit Selection Strategies for Musical Concatenative Synthesis. Lecture Notes in Computer Science, Springer.
Journal Articles
Ronan, I., Mi, Y., Vamsi Bharadwaj Yallapragada, V., Ó Nuanain, C., Tabirca, S. (2024). A Machine Learning Approach to 3D Protein Structure Sonification. IJMSTA, 6(1): 9–18. PDF
Ó Nuanáin C., Herrera P., Jordà S. (2017). Rhythmic Concatenative Synthesis for Electronic Music – Techniques, Implementation and Evaluation. Computer Music Journal: Special Issue on NIME. PDF
Vogl R., Leimeister M., Ó Nuanáin C., Jordà S., Hlatky M., Knees P. (2016). An Intelligent Interface for Drum Pattern Variation and Comparative Evaluation of Algorithms. Journal of the Audio Engineering Society: Special Issue on Intelligent Audio Processing, Semantics and Interaction. PDF
Conference Papers, Posters & Presentations
Clarke, J., Ó Nuanáin, C. (2025). Evaluating Presence in Immersive Virtual Reality Concert Experiences. 2025 Immersive and 3D Audio: from Architecture to Automotive (I3DA), IEEE, Bologna.
Ó Nuanáin, C. (2025). Intimate Inference: The Case for Small Data in an Exponential Era of Generative Art. MTU CSM Research Colloquium 2025, Cork. Slides
Ó Nuanáin, C., Giltinan, A. (2024). Ableson: Towards Cheap and Cheerful Sonification of Time Series Data. Irish Human Computer Interaction Symposium (iHCI 24), Cork. PDF
Ó Nuanáin, C., Viñuela E., Steinbach K., Corbat Y., Sulamanidze S., López R., O’Connor M. (2024). A Quantitative Survey of Digital Competencies of Music Teachers in the European Union. Computer Supported Music Education (CSME24), Angers. PDF
Ó Nuanáin, C., Viñuela E., Steinbach K., Corbat Y., Sulamanidze S., López R., O’Connor M. (2024). Digital Skills for Music Teachers (DISK) – an Erasmus+ initiative for the digitisation of music education in Europe. Open Education Conference 2024 (OER24), Cork. Slides
Ó Nuanáin, C., O’Mahony K., Maye K., De Juan A., Clarke J., McCarthy H., Griew M., Tucker S. M. (2023). Réaltacht: Creating Immersive and Accessible Experiences of Irish Traditional Music in Virtual Reality. 4th International Symposium on the Internet of Sounds, Treviso. PDF
Ó Nuanáin, C. (2019). Infinite Theft: Reflections on the State of the Art in Musaicing, Plunderphonics and Concatenative Sound Synthesis. Irish Sound Science and Technology Association Conference 2019. Slides
Ó Nuanáin, C., Jordà S., Herrera P. (2017). k-Best Hidden Markov Model Decoding for Unit Selection in Concatenative Sound Synthesis. International Symposium on Computer Music Multidisciplinary Research, Porto. PDF
Ó Nuanáin, C., Herrera P., Jordà S. (2016). An Evaluation Framework and Case Study for Rhythmic Concatenative Synthesis. International Symposium on Music Information Retrieval, New York. PDF
Ó Nuanáin, C., Jordà S., Herrera P. (2016). An Interactive Software Instrument for Real-time Rhythmic Concatenative Synthesis. New Interfaces for Musical Expression, Brisbane. PDF
Ó Nuanáin, C., Jordà S., Herrera P. (2016). Towards User-Tailored Creative Applications of Concatenative Synthesis in Electronic Dance Music. 4th International Workshop on Musical Metacreation, Paris. PDF
Ó Nuanáin, C., Herrera P., Jordà S. (2015). Target-Based Rhythmic Pattern Generation and Variation with Genetic Algorithms. Sound and Music Computing Conference 2015, Maynooth. PDF
Ó Nuanáin, C., Sullivan L. O. (2014). Real-time Algorithmic Composition with a Tabletop Musical Interface – A First Prototype and Performance. AM ‘14: Audio Mostly, Aalborg. PDF
Theses
Ó Nuanáin, C. (2018). Connecting time and timbre: computational methods for generative rhythmic loops in symbolic and signal domains. Ph.D. Thesis, Universitat Pompeu Fabra, Barcelona. Repository
O Nuanáin, C. (2009). The Reactable as a Platform for Real-time Algorithmic Composition. Master’s Thesis, Trinity College Dublin.